Explores what globalization means for the world economy and Americans.

This program examines how cheap government loans in South Korea encouraged the growth of large conglomerates, and how new policies are helping small and medium companies to develop. Discusses the South Korean government's use of onerous anti-business tactics, such as tax audits on those Koreans who buy imported cars. Officials from conglomerates Daewoo, Samsung, and Hyundai discuss the business practices that contributed to their success. A British...

"Throughout Africa, democracy has long been touted as the cure for the continent's ongoing unrest. But can such a form of government flourish in countries where extreme poverty is the norm and violence is the chief tool of statecraft? Spanning the continent from Libya to South Africa, this program seeks to understand Africa's complex political situations, addressing the 'Big Man' syndrome and the one-party state, the destabilizing effects of armed...

Presents the history of the European Monetary Union (EMU), the unification timetable up to 2002, the convergence criteria, and the coins and banknotes themselves. Provides background on the euro member states and the European Central Bank, examines the impact of the euro on world trade, the job market, and tourism, and analyzes the euro's role in international monetary transactions. Compares the euro to the dollar and discusses the hopes and fears...

Soviet film studios worked hard to portray their government's system as idyllic and forward-looking. This program showcases animated films designed to promote that utopian vision. Soviet Toys, the earliest known example of Soviet animation, condemns Lenin's New Economic Policy; The Victorious Destination celebrates the achievements of Stalin's first five-year plan; Samoyed Boy praises the Soviet educational system and the casting-off of antiquated...

Racism, unemployment, aggression, excess -- the USSR's animation studios frequently took aim at these aspects of American culture. Representing five decades of animated Soviet propaganda, this program features short films that blast the U.S. and its perceived evils. Black and White and Mister Twister extol the absence of bigotry in Soviet society while Someone Else's Voice portrays jazz as "an enemy of the people." Ave Maria condemns America's presence...

From the 1920s to the 1980s, the Soviet regime ordered the production of dozens of animated propaganda films. Their target audience was the Soviet Union itself, and their goal was to win the hearts and minds of the Soviet people. Commentary by leading Soviet film scholars.